$ 7.00 USD $ 10.00 USD
MARFA: A Country & Western Big Band Suite was originally commissioned by Ballroom Marfa. The work, composed by Golden Hornet Artistic Director Graham Reynolds, merges instrumental country music and western soundtracks with a power jazz rhythm section, a classic string quartet, all alongside horns. In total, a fourteen-member ensemble featuring legendary country guitarist Redd Volkaert (Merle Haggard) and ever-smiling pedal steel player Ricky Davis (Dale Watson).
$ 17.50 USD $ 25.00 USD
2018 reissue of Austin, Texas-based composer Graham Reynolds’s 'The Difference Engine: A Triple Concerto' - on vinyl for the first time ever! Includes never-before-released remixes from The Octopus Project, Demián Gálvez, Adrian Quesada, Peter Stopchinski, DJ Spooky, and Orión Garcia!
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2018 Remaster includes two brand new remixes from Orión García of Peligrosa and Demián Gálvez of Centavrvs.
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Original Motion Picture Soundtrack for the grim, Sergio Leone-inspired western from Director James Crowley.
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Part movie soundtrack, part crime jazz, part classical tribute, part boisterous rock & roll, The Tick-Tock Club is The Golden Arm Trio's third release.
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Original Ballet Suite for the Ballet Austin production, written for electrified cello & violin.
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Original Ballet Scores for Ballet Austin’s productions of Once Belonging and Bounce, the latter of which premiered in Austin and later toured China.
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The Golden Arm Trio’s second album, featuring TOSCA String Quartet. An expansion of Reynolds stylistic range while maintaining his ear for melodies.
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Created with “Inside the box” sounds and manipulated recordings Graham made during sound hunts in Austin and Mexico City.
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Original Motion Picture Soundtrack for the documentary about Sam Shepard & Johnny Dark.
$ 12.00 USD
You will receive an immediate download of the new album, Werewolves Of Portland, plus Vernon Solos II as well as bonus content from both albums.
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THE SOUND OF SCIENCE is a concert and album presenting eight pieces of music by seven celebrated composers.
Written for amplified cello and electronics, all pieces will be performed by world-renowned cellist Jeffrey Zeigler, long time member of Kronos Quartet, cellist for John Zorn, Philip Glass, Laurie Anderson, and many more.
From West African storytelling and collaborations with Herbie Hancock, to radioactive medical procedures and tours with St. Vincent, each composer involved is celebrated for their unfettered originality, yet unique in their creative process and experience. The composers self-selected an array of scientific minds which intrigued them musically, and which represent a range of research that has shaped humanity as a whole.
All eight new works are inspired by and reflective of the scientist’s practice, and in some cases, even incorporate sounds sourced directly from their research.
Featuring new works by & based on:
Yuka Honda (Japan/NYC) & Katherine Johnson (Mathematician)
Foday Musa Suso (The Gambia) & George Washington Carver (Botanist)
Felipe Pérez Santiago (Mexico City) & Jill Tarter (Astronomer)
Maja Ratkje (Norway) & Signe Kjelstrup (Chemist)
Sarah Lipstate (LA/Austin) & Marie Curie (Physicist)
Paola Prestini (NYC) & Andrew Kruczkiewicz (Climatologist)
Graham Reynolds (Austin) & Barry Chernoff (Biologist) + Kristen Harris (Neuroscientist)
Co-curated by Zeigler and acclaimed composer-bandleader Graham Reynolds, The Sound of Science brings the two disciplines together in a celebration of their shared culture of inquiry, and invites audiences to explore the importance of – and connections between – different kinds of creation and discovery in the quest for a deeper understanding of the world around us and each other.
Commissioned by Golden Hornet. Co-commissioned by Kathleen & Harvey Guion.
Learn more about Golden Hornet and each composer-scientist pair at www.goldenhornet.org
$ 15.00 USD
Lucky Chops - Virtue and Vice Sessions CD
$ 20.00 USD
Sara Niemietz's BRAND NEW, LIVE album!
Includes digital download of the album on release day.
$ 40.00 USD
Wish you could have been at the live concert that birthed this album!? Well, NOW YOU CAN! Watch the twentytwenty concert in the comfort of your own casa!
Includes digital download of the album on release day.
$ 25.00 USD
Sara Niemietz's BRAND NEW, LIVE album!
Includes digital download of the album on release day.
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Because nothing breathes life into music like spinning it on the turntable. (Also guaranteed to make you 10% cooler.*) *this is scientifically unsubstantiated
Includes digital download of the album on release day.
$ 35.00 USD
Because nothing breathes life into music like spinning it on the turntable. (Also guaranteed to make you 10% cooler.*) *this is scientifically unsubstantiated
$ 24.99 USD
$ 10.00 USD
A digital download of Aubrey’s debut album
$ 6.00 USD
$ 6.00 USD
Aubrey Logan - Digital Download Your Moms Favorite Songs
$ 20.00 USD
Aubrey’s sophomore album on CD
$ 10.00 USD
Aubrey Logan - Where the Sunshine is Expensive Digital Download
$ 30.00 USD
$ 12.00 USD
Tracklist
1. Necessary Evil
2. One More Time
3. Gentleman Is A Dope, The
4. Just Give Me A Man
5. Love Is A Dangerous Thing
6. My Foolish Heart
7. Lies Of Handsome Men, The
8. Get Out And Get Under The Moon
9. Out Of This World
10. Hooray For Love
11. I'd Give A Dollar For A Dime
12. Last Train To Mercerville
Laura Ainsworth’s second album “Necessary Evil” was inspired by her love of film noir, from its pulp novel cover to its Raymond Chanderesque liner notes to the songs that touch on the many twisted shades of love. Only at the end do we learn that if you want pure, happy-ever-after romance, it’s best to look for it in the great old songs on the jukebox…
Featuring a powerful 13-piece horn section on the opening and closing tunes and some of the top jazz players in North Texas, New Vintage was nominated for several indie music awards and won the Clousine International Music Magazine Award for Best Jazz Video for the title track, filmed during Laura’s tour of India.
Reviews of Necessary Evil…
"My goodness, it is brilliant.” – Koop Kooper, host, Cocktail Nation (World’s leading radio show/podcast on all things cool and swank)
"Laura Ainsworth has not only met the incredible standard set by her debut recording, but surpassed it with her timeless musical craftsmanship and abundant raw talent." - Eric Harabadian, Jazz Inside magazine
"Laura's singing is in the classic Big Band style of singing that I like and that is missed in today's music.” – Ernie Felice, Capitol Records artist, Grammy Museum honoree and father of jazz accordion
“4-1/2 Stars! Laura Ainsworth is an exceptional singer, full of grace and color in her interpretations… Her ability to express the elements of the most classic jazz is incomparable; she is able to subtly display sensuality, darkness, romanticism, naughtiness, and feeling. Necessary Evil is a smart and brilliant contribution to the world jazz scene; it is a real, passionate and lovely tribute to the composers and singers that some decades ago released these standards; it is a tribute to some key moments in the history of jazz.” – Oscar Montagut, TheWorldMusicReport.com
“…The film noirish cover and tongue-in-cheek notes made me want to pop it right into my CD player... One fine singer who is as at home with the racy ‘Just Give Me a Man’ as with the tender ‘My Foolish Heart’… (She) has made the effort to find some songs that you will not hear on many new releases… The clever closing number by Lee Charles Kelley is comprised almost entirely of Johnny Mercer song titles… This album is musical, fun, and one that I will get back to often.” – Joe Lang, Jersey Jazz
"Laura Ainsworth steps...back into the recording studio with her delightful new CD, the snazzy and jazzy Necessary Evil (Eclectus Records). She can deliver sultry in simple fashion, but the kind that recalls big band clubs in many a black-and-white film airing on TCM. The production value is easy here, but it’s magically transporting to an era far gone. But what matters most here is that Ainsworth sings with heart... She opts for deep cuts like Rodgers and Hammerstein’s ‘The Gentleman is a Dope’ and Johnny Mercer’s ‘Out of This World.’ While not obscure tunes, she doesn’t go for the obvious... For patient listeners, these 12 tracks play like a dream... Charming and genuine. She doesn’t sing like a diva, but like a character living in the middle of the music."- Kevin Thomas, Dallas Voice
“Dallas-based vocalist Laura Ainsworth’s sophomore album pops in a way that makes you realize just how terrific old-school jazz can sound in the right hands. Full of vivid instrumentation crisply recorded — there were goose-bump moments, particularly during ‘One More Time,’ when it seemed like the musicians were performing right in front of me — and Ainsworth’s vivacious vocals, Necessary Evil cries out for dim lighting, last call and a fine cigar.” – Preston Jones, Ft. Worth Star-Telegram/DFW.com
"The thing that jumps right out is quality – quality vocals, quality accompaniment and quality songs. This is not another album of cheap run-of-the mill recreations of jazz and big band standards, no sir, this is a rare treat for music lovers everywhere. Laura Ainsworth is an old fashioned singer who actually interprets the music of the songs she performs and this means you get a dozen stellar performances on this album… It is reminiscent of those classic Verve, Capitol or Columbia albums of the 1950’s…you just need to grab a copy and listen." - Richard Irvine, Radio North Angus, Scotland
“As sweet-voiced as a meadowlark crossed with a hummingbird…The kind of gig Mae West would uncork champagne to and then sit back in brocade and rhinestones… Vamps, sorceresses, and cabaret divas are the faeryland denizens she saunters among, unhurriedly, at home with winsome seductresses and a Gatsby or two. At times, one can almost hear Tenessee Williams and Oscar Wilde rubbing elbows in the audience.” – Mark S. Tucker, AcousticMusic.com
“I don't know what's with this whole femme fatale revival thing, but I like the vibe and I like the records when they are done right, like this one is. With a three-octave voice and a pop that played sax with Sinatra, Bennett, Tormé and Fitzgerald, Ainsworth brings a whole lot of other things to the table that make this release stand out at once and pull farther away from the pack with repeated listening… Fun stuff that just screams out for a whiskey neat with a water back.” – MidwestRecord.com
$ 12.00 USD
Tracklist
1. That's How I Got My Start
2. I'll Take Romance
3. Where Did The Magic Go?
4. An Occasional Man
5. Wasting My Love On You
6. Nevertheless
7. A Little Jive Is Good For You
8. The Man I Love Is Gone
9. All About You
10. Nothing Can Replace A Man
11. It's A Nuisance Having You Around
12. Long Ago and Far Away and You Stepped Out of a Dream
13. I Once Knew a Fella
Laura Ainsworth’s third album, New Vintage, scored five nominations and an unprecedented triple win of the 2018 Artists Music Guild Heritage Awards, for Album, Video (“That How I Got My Start”) and Female Vocalist of the Year, and a 2019 AMG Best Video award for “Where Did the Magic Go?” It was also honored with three Global Music Awards, the Clousine International Music Magazine Award for best jazz album and five Josie Music Awards nominations. It earned Laura profiles in Downbeat, Cadence, Jazz Japan and other top music publications. She was also featured and interviewed on many lounge/jazz radio shows and podcasts, such as Lounging With Lombardi,” “Everything Old Is New Again” and “Cocktail Nation.” She also became the first contemporary artist ever featured on the “Buddies Lounge” podcast.
Reviews of New Vintage…
“Beautiful voice, expressive and sensitive, accompanied by a group with serious professionalism…An excellent album!” - Serge Warin, Radio Grand Brive, Objat, France
“Laura Ainsworth is breathing new life into the previously staid ‘jazz standards’ album format…As excellent as Laura's first two albums have been, New Vintage looks to be Laura's breakthrough. With New Vintage, Laura creates a rich, intoxicating atmosphere that transports the mind to another place and time. Laura swings and seduces her way into the heart like only the original jazz singers could previously do. ‘They don't make 'em like they used to’ no longer applies, as Laura has rediscovered a large portion of the formula, and uses it liberally on the New Vintage album. Thank you, Laura, for making the Great American Songbook exciting and fun again!” - David Gasten, Producer, This is Vintage Now compilation series
“She has a voice and style that don't belong to this century, let alone this decade. Laura is reaching back in time, and some of the songs contained on this album haven't been recorded for more than fifty years. This is music from the '40s and '50s, with even new songs chosen deliberately that sit within that style. She can gently sway in the bossa nova beat of ‘An Occasional Man’ or slow it right down and be the sultry smooth singer reminiscent of the likes of Julie London. Laura's father was Billy Ainsworth, who played sax in big bands, and the early exposure to soft and classic jazz has obviously had a major impact. Close your eyes, and drift into a different world.” – Kev Rowland, Gonzo Weekly
“Ainsworth’s father played with Sam Butera, so this retro revival thing is in her blood legit and sometimes it just doesn’t pay to fight what you are. With another lounge revival swinging our way, she’s right at the forefront of the revival, unearthing worthy songs that haven’t been recorded in the last 50 years, which culls her from the rest of the diva pack that think it all begins and ends with Cole Porter. Loesser, Mercer, let’s bring them all back…
Streaming like a comet out of Texas, this gal is all gal and proud of it to the tips of her opera length gloves. A must for jazzbo vocal fans.” - Chris Spector, MidwestRecord.com
This is an album that is fun from start to finish, sung with just the right approach by Ainsworth, with support by a hip band led by pianist and arranger Brian Piper. It is a smile-inducing winner!” - Joe Lang, Jersey Jazz
“Laura Ainsworth’s Third Album Sparkles Like Champagne…
When Dallas lounge singer Laura Ainsworth releases an album…you have to sit at home imagining the tinkling of ice cubes in a highball (or, just as legitimately, make a cocktail yourself and create your own ambiance)…Her voice, a satiny ribbon that seems to flow as an uninterrupted river of downbeats, is rich and distinctive, but it’s her sense of humor that catches you note after note…One savvy decision is the selection of a fairly obscure set of standards to tackle here (of the 13 tracks, only three — the lead-off ‘That’s How I Got My Start’ by Frank Loesser, ‘Where Did The Magic Go?’ and a Kern/Gershwin mashup of ‘Long Ago and Far Away” — will be widely familiar). The great advantage of that, of course, is that every song can still surprise you — the lyrics, the licks, the sentiments. New Vintage is an album of reinvention, both feet planted in the present, but forever looking back.” - Arnold Wayne Jones, Dallas Voice
$ 29.98 USD
Tracklist
Disc: 1
1. Love for Sale
2. An Occasional Man
3. Necessary Evil
4. Just Give Me a Man
5. Hooray for Love
6. That's How I Got My Start
7. Out of This World
8. That's the Kind of Guy I Dream Of
9. Wasting My Love on You
10. Skylark
Laura Ainsworth achieved a lifelong dream by finally appearing on the medium of her idols with Top Shelf, a 180-gram, virgin vinyl best-of LP, pressed by Hand Drawn Pressing. MP3 download card is included.
Remastered for vinyl by renowned engineer Kent Stump of Crystal Clear Sound in Dallas, Top Shelf features 10 of Laura’s personal favorites from her first three albums, showcasing a variety of styles.
Tracks include her smoky, after-midnight take on Cole Porter’s “Love For Sale”…the sexy island fantasy of “An Occasional Man,” complete with surf sounds and tropical bird calls…the big band blast of “Necessary Evil”…her exotic, world jazz reimagining of “Out of This World”…the sensuous noir feel of the long-forgotten early Frank Loesser gem, “That’s How I Got My Start”…and five more outstanding cuts from her critically-acclaimed catalog, all in the rich, warm tones of high-quality audiophile vinyl.
$ 2.00 USD
Half of all proceeds will benefit the Haven + London. The Haven is a community of creatives united by the shared experiences of the brokenness, pain, and power of the creative life. Read more about the resources the Haven + London provides here: www.thehavenlondon.com
$ 7.50 USD $ 15.00 USD
Album Tracks:
Sold Out $ 30.00 USD
$ 25.00 USD
$ 15.00 USD
Newly remastered featuring re-imagined artwork by Vaughan Oliver
$ 30.00 USD
Newly remastered featuring re-imagined artwork by Vaughan Oliver
$ 30.00 USD
Newly remastered featuring re-imagined artwork by Vaughan Oliver
$ 15.00 USD
Newly remastered featuring re-imagined artwork by Vaughan Oliver
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Newly remastered featuring re-imagined artwork by Vaughan Oliver.
$ 25.00 USD
Newly remastered featuring re-imagined artwork by Vaughan Oliver
$ 30.00 USD
2023 repress of 2012 album! 300gsm standard sleeve w/ "natural" cream color vinyl.
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We call this project “20/20” to celebrate our 20 years together as a band. 10 songs were voted on by our fans using the original recordings, and 10 songs were selected, reworked, and re-recorded by the 7 members in the band now. In total, these are 20 songs that define who we’ve been and who we’ve become over 2 decades! It’s been quite a journey... so just enjoy the ride!
$ 15.00 USD
Track listing:
1.The Gereg (4:54)
2.Wolf Totem (5:38)
3.The Great Chinggis Khaan (4:32)
4.The Legend of Mother Swan (5:25)
5.Shoog Shoog (4:01)
6.The Same (5:27)
7.Yuve Yuve Yu (4:42)
8.Shireg Shireg (5:47)
9.Song of Women (7:16)
10.Wolf Totem (feat. Jacoby Shaddix of Papa Roach) (5:17)
11.Yuve Yuve Yu (feat. From Ashes To New) (4:13)
12.Song of Women (feat. Lzzy Hale of Halestorm) (5:49)
13.Shireg Shireg (acoustic) (5:47)
14.Yuve Yuve Yu (acoustic) (4:43)
15.Shoog Shoog (acoustic) (3:51)
$ 35.00 USD
Track listing:
1.The Gereg (4:54)
2.Wolf Totem (5:38)
3.The Great Chinggis Khaan (4:32)
4.The Legend of Mother Swan (5:25)
5.Shoog Shoog (4:01)
6.The Same (5:27)
7.Yuve Yuve Yu (4:42)
8.Shireg Shireg (5:47)
9.Song of Women (7:16)
10.Wolf Totem (feat. Jacoby Shaddix of Papa Roach) (5:17)
11.Yuve Yuve Yu (feat. From Ashes To New) (4:13)
12.Song of Women (feat. Lzzy Hale of Halestorm) (5:49)
13.Shireg Shireg (acoustic) (5:47)
14.Yuve Yuve Yu (acoustic) (4:43)
15.Shoog Shoog (acoustic) (3:51)
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Tal’s debut vocal album 'Love Remains’ on 180 gram Vinyl, signed and numbered 1-1000 by Tal Wilkenfeld. Released March 15th, 2019
$ 3.96 USD
*Receive an immediate download of the first single, followed by the full album on release day.
On their new EP Electrokitty Sessions, Seattle, WA “soulgrass” combo Paula Boggs Band refines their signature blend of jazz, world, rock and Americana. The record is imbued with a sense of yearning, and Boggs and her team of deft musicians unfurl their tales of love and its various guises with a relaxed, in-the-pocket groove that only comes from a group of players moving as a whole. These songs will anchor the band’s next full-length album and serves as an intriguing snapshot of what’s to come.
The songs on Electrokitty Sessions have evolved over time, with time signatures shifting, and lyrics and melodies evolving until Boggs deemed them ready for tape. The band decamped to Seattle’s Electrokitty Studios and brought in producer Matt Brown for the sessions. “It was back to the future in that Matt produced and we recorded at Electrokitty,” says Boggs. “Matt produced our first record, and it was mixed at Electrokitty”.
A record very much of the moment, Electrokitty Sessions might just be the balm we need right now. “Love is not always top of mind amidst profound sickness, fear, division and economic crisis” tells Boggs. “Music at its best though helps people think a little differently, feel, heal, connect. I hope that for this record”.
$ 7.50 USD $ 15.00 USD
Track listing:
$ 12.50 USD $ 25.00 USD
ALBUM TRACK LISTING:
$ 10.00 USD
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