$ 9.99 USD
1. LAST CHRISTMAS featuring Philippe Saisse
2. THIS CHRISTMAS featuring Vince Gill
3. OH HOLY NIGHT featuring Russ Freeman
4. SILVER BELLS featuring Chris Standring
5. WINTER WONDERLAND / LET IT SNOW (Medley) featuring Dave Koz
6. A CHILD IS BORN IN BETHLEHEM featuring Adam Hawley
7. HAVE YOURSELF A MERRY LITTLE CHRISTMAS featuring Sheléa
8. SILENT NIGHT featuring Rick Braun
9. MARY DID YOU KNOW
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PRODUCED BY MICHAEL LINGTON
MIXED BY PAUL BROWN
MASTERED BY BERNIE GRUNDMAN
Personnel:
Michael Lington: Alto and Tenor Sax,
Additional Keys and Percussion (all tracks)
Vince Gill: Vocals and Guitar (2)
Sheléa: Vocals (7)
Dave Koz: Soprano Sax (5)
Philippe Saisse: Vibraphone (1)
Rick Braun: Flugel Horn (8)
Russ Freeman: Classical Guitar (3)
Chris Standring: Guitar (4)
Adam Hawley: Guitar (6)
Greg Phillinganes: Keyboards (2,3,4,5,7,8,9)
Eric Valentine: Drums (2,3,4,5,6,7,8)
Alex Al: Bass (2,3,4,5,7,8)
Roberto Vally: Bass (6)
Marc Antoine: Guitar (1,5,8)
Jay Gore: Acoustic Guitar (1)
David Garfield: Keyboards (6)
Luis Conte: Percussion (1,3,5,6,7,8,9)
Paul Jackson Jr: Guitar (2,7)
Nick Daley: Trombone (2,4)
Michael Stever: Trumpet (2,4)
$ 4.00 USD $ 10.00 USD
$ 8.99 USD
Ok Go - 180/365 Digital Download
$ 8.99 USD
Ok Go - Of The Blue Color Of The Sky Digital Download
$ 11.99 USD
Ok Go - Of The Blue Color Of The Sky Extra Nice Edition Digital Download
$ 8.99 USD
Ok Go - Twelve Remixes of Four Songs Digital Download
$ 10.00 USD
A digital download of Aubrey’s debut album
$ 6.00 USD
$ 6.00 USD
Aubrey Logan - Digital Download Your Moms Favorite Songs
$ 10.00 USD
Aubrey Logan - Where the Sunshine is Expensive Digital Download
$ 4.95 USD
MACKandgold - Take Solace Digital Download
$ 2.00 USD
Half of all proceeds will benefit the Haven + London. The Haven is a community of creatives united by the shared experiences of the brokenness, pain, and power of the creative life. Read more about the resources the Haven + London provides here: www.thehavenlondon.com
$ 10.00 USD
New album released August 7th, 2020!
In his sophomore album, Public Life, Joshua Lee Turner weighs his life as a touring musician against a newfound appreciation for time spent at home. Turner embraces imperfection and limitation, choosing to record the album almost entirely to 4-track cassette and producing, mixing, and filming it in his apartment. With stripped-down arrangements, intimate lyrics, and virtuosic guitar playing, Public Life blends 1970s sounds with 2020 contemplations of home, friendship, work, and social media.
Track List
1. Introduction
2. Nebraska Dreams
3. Like Lightning
4. Belle
5. 319
6. Public Life
7. Smoky Sunrise
8. Nostalgia / So Far So Long
9. Denouement
10. At Home
$ 3.96 USD
*Receive an immediate download of the first single, followed by the full album on release day.
On their new EP Electrokitty Sessions, Seattle, WA “soulgrass” combo Paula Boggs Band refines their signature blend of jazz, world, rock and Americana. The record is imbued with a sense of yearning, and Boggs and her team of deft musicians unfurl their tales of love and its various guises with a relaxed, in-the-pocket groove that only comes from a group of players moving as a whole. These songs will anchor the band’s next full-length album and serves as an intriguing snapshot of what’s to come.
The songs on Electrokitty Sessions have evolved over time, with time signatures shifting, and lyrics and melodies evolving until Boggs deemed them ready for tape. The band decamped to Seattle’s Electrokitty Studios and brought in producer Matt Brown for the sessions. “It was back to the future in that Matt produced and we recorded at Electrokitty,” says Boggs. “Matt produced our first record, and it was mixed at Electrokitty”.
A record very much of the moment, Electrokitty Sessions might just be the balm we need right now. “Love is not always top of mind amidst profound sickness, fear, division and economic crisis” tells Boggs. “Music at its best though helps people think a little differently, feel, heal, connect. I hope that for this record”.
$ 10.00 USD
$ 0.99 USD
SUR - Visions Digital Download
$ 10.00 USD
$ 9.99 USD
$ 9.99 USD
$ 9.99 USD
$ 9.99 USD
$ 9.99 USD
$ 9.99 USD
$ 9.99 USD
$ 39.99 USD
Includes pdf piano vocal arrangements for the songs below.
Transpositions available by request via csr1@bandwear.com.
Flesh & Bone -- D Min
Good Life -- Bb Min
The Feeling -- F Maj
Kick it to Me -- D Maj
Talk It Up -- G Maj
$ 9.99 USD
$ 30.00 USD
$ 2.00 USD
Aubrey Logan - The Alphabet Song Single Digital Download
$ 10.00 USD
Harvard of the South - Self Titled Album Digital Download
Immediate mp3 download of the album at time of purchase.
$ 1.29 USD
wav + mp3 download of Paula's latest single: America 2020.
“Covid-19, racial unrest, record unemployment and climate disruption bring America to a boil as division and rancor ascend. Is this what America’s ancestors fought and died for? This is the central question ‘America 2020’ poses. Sure they and our founding documents were flawed but America was born with hope and aspirations for better. To reach ‘better’ requires more than ‘thoughts and prayers.’ It demands work, empathy, attitude and keeping it real. ‘America 2020’ stands on the shoulders of great American ‘protest songs’— the ones that make you think, feel and act while tapping your feet.“
-Paula Boggs
$ 5.00 USD $ 10.00 USD
$ 10.00 USD
Modern Yesterdays is Kaki’s 10th album, and her first new studio album in 5 years. The album was co-produced by Kaki, Chloe Alexandra Thompson, and Arjan Miranda with sound design by Chloe Alexandra Thompson.
Track list:
1) Default Shell
2) Can't Touch This or That or You or My Face
3) Teek
4) Goodchild
5) Rhythmic Tiny Sand Ball Patterns
6) Puzzle Me - You
7) Final State
8) Lorlir
9) Sanitized, Alone
10) Sei Sei
11) Forms of Light and Death
$ 2.00 USD
Blue Christmas - The Trombone Edition
$ 2.00 USD
$ 10.00 USD
mp3 download of 2021 release, celebrating 10 years with Better Noise Music.
Purchase includes immediate digital download of one track + full album on release day.
Greatest Hits Vol.2- The Better Noise Years features 21 tracks and comprises 12 of the top 10 hits from 2010-2019. The Album consists of various songs from the five albums that were created with Better Noise Music including: Time for Annihilation..On The Record & On The Road, The Connection, F.E.A.R, Crooked Teeth, and finally Who Do You Trust? It features the smash song “Help” from their 2017 release and has been certified Gold by the RIAA, selling over 500,000 copies in the United States Alone.
The album features seven songs that are either remixed, acoustic and one that has a feature. Celebrate Papa Roach’s success!
$ 4.99 USD
Aif format download.
1. Bye By Baby [original version]
2. We Dug A Hole
3. It's Tough To Have A Crush When The Boy Doesn't Feel The Same Way You Do
$ 4.99 USD
aif format download.
1. Hello, My Treacherous Friends [original version]
2. What To Do [original version]
3. Antmusic [Adam & The Ants cover]
$ 5.00 USD $ 10.00 USD
Track listing:
mp3 format download
$ 5.00 USD $ 10.00 USD
Continuing the concept, success and story behind the new album “Angel Miners & The Lightning Riders” which centers on the struggle between Good (‘Lightning Riders’) and Evil (Angel Miners’), Aaron Bruno the song writer behind AWOLNATION presents “ANGEL MINERS & THE LIGHTNING RIDERS LIVE FROM 2020”.
Recorded live in the studio that Aaron recently rebuilt after wildfires burned down his previous studio and inspired much of the new album’s music. It features all instrumentation, no tracks and arrangements that have creative flourishes and the fervent energy that AWOLNATION is known for in a live setting.
Mp3 file format.
Track listing:
$ 0.99 USD
1. This Will Be Our Year (lo-fi)
2. This Will Be Our Year (hi-fi)
$ 10.00 USD
Download provided immediately upon purchase for both mp3 and wav audio formats.
Laser-tight trio with an ear for lovely, lilting traditional melodies, Molsky’s Mountain Drifters brings tradition steeped in possibility. The grace and wisdom of longtime fiddle player and multi-instrumentalist Bruce Molsky, Berklee College of Music’s Visiting Scholar in the American Roots Program, described as “an absolute master” (No Depression) melds with the electricity of guitarist Stash Wyslouch, “a brilliant and free-thinking mind” (Chris Eldridge, Punch Brothers) and banjo player Allison de Groot’s “exquisite tone, timing, and taste” (Tony Trishka) to bring new ideas to traditional music. The Mountain Drifters are delighted announce the release of their 2nd album, Closing the Gap (Allison's original composition for banjo & band).
Closing The Gap is the Mountain Drifters in their natural and instinctual state; raw, playful and free, the way the music is meant to be. The music is hopeful and optimistic and comes from the heart, and the recording starts with “There’s a bright side somewhere, ain’t gonna rest until I find it.”
The title track, Allison de Groot's “Closing the Gap” feels like a race. Each note tries to catch up with the next, narrowing the gap and steadily propelling the tune from one section to the next. . .
Track List:
released February 22, 2019
Recorded - Dan Cardinal Dimension Sounds
Mixed - Dave Sinko, Nashville, TN
Mastered - David Glasser Airshow Studios
Graphics - Randall Martin Designs
Photography - Susan Wilson Photography
Produced - Bruce Molsky
Bruce Molsky - fiddle, vocals, banjo (on Old Kimball)
Allison de Groot - banjo, vocals
Stash Wyslouch - guitar, vocals
all rights reserved
$ 10.00 USD
Aubrey Logan - Standard Digital Download
$ 2.00 USD
Single will be delivered via email immediately upon purchase.
Wav format audio.
$ 0.99 USD
$ 2.00 USD
Mp3 download of the single "Dreams" will be delivered on Friday March 26th.
If purchases after that date, digital delivery is immediate.
$ 2.00 USD
Aubrey Logan - Louboutins 2.0 Single Download in mp3 format
$ 10.00 USD
Receive an immediate download of the track "Vacation" ft. Train when you pre-order.
Tracklisting:
$ 5.00 USD
The Lyle Mays Estate is elated to announce the release of a thirteen-minute “mini symphony” entitled Eberhard—a composition completed by Mays in 2009 for the Zeltsman Marimba Festival, and recorded in the months before his passing on February 10, 2020, with a slate of notable names in jazz including Bill Frisell, Alex Acuña, and Bob Sheppard.
Due out on August 27, 2021, Eberhard is a long-form, multi-section work that is Lyle’s self-professed dedication to the great German bass player Eberhard Weber, a composer whose influence loomed large on Mays and his long-time collaborator Pat Metheny in the forming of the 11-time Grammy-Award winning Pat Metheny Group during the mid 70’s and throughout their careers. According to Steve Rodby (bass player of the Pat Metheny Group and Lyle’s best friend) who did double duty on this recording as co-associate producer and acoustic bassist, “…though he called it his ‘humble tribute’ to Eberhard, it is still 100 percent Lyle in every way.”
A steady, lilting marimba (Wade Culbreath) ostinato offers an ample bed for Eberhard’s ethereal opening piano melody, performed, of course, by Mays. Lyle’s unmistakeable orchestrational style is immediately on display as various shakers, rainsticks, and atmospheric synthesizer pads quietly make their way into the texture, rising and falling organically as an electric bass theme (played by longtime James Taylor cohort, Jimmy Johnson) emerges. Wordless vocals, a hallmark of the music of the Pat Metheny Group, supplied here by jazz singers Aubrey Johnson (Lyle’s niece and co-executive producer), Rosana Eckert, and Gary Eckert, are introduced—first as accompaniment to the bass melody and later as melodic “instruments.”
Vocal features give way to Bob Sheppard’s woodwind section, which gives way to cello section underscores (led by principal Timothy Loo), and soon the whole ensemble, including star drummer/percussionists Jimmy Branly and Alex Acuña, Steve Rodby (acoustic bass), Mitchel Forman (Hammond B3 Organ/Wurlitzer piano), and Bill Frisell (guitar) have made appearances. All sixteen instrumentalists/vocalists rarely play at the same time, instead playfully weaving in and out for various features (notably by Mays, Jimmy Johnson, Aubrey Johnson, and Culbreath) and accompanying textures. In a piece already abundant with aural decadence, Bob Sheppard’s extended tenor saxophone solo, which brings Eberhard to its climax, is perhaps the most thrilling. The piece ends as it began, with a sparse recapitulation of the introduction, rewarding the listener with the feeling of having experienced an incredible musical odyssey.
In typical Lyle fashion, this music reflects and honors his far-reaching influences, most obviously the bass playing and compositional style of Eberhard Weber (with whom Lyle recorded on two occasions), but continuing on through Philip Glass’ minimalism, Indonesian Gamelan ensemble, Brazilian music (notably the percussive and speech-like vocal techniques of Lyle’s friend and collaborator Naná Vasconcelos), to the blues, and to classical forms and structures. As in all of his compositions, Mays’ propensity for exploiting compositional material (or, its “DNA”) to the fullest extent is ever constant throughout Eberhard. Like a scientist, he would take a simple melodic, harmonic, rhythmic, or other kind of idea and experiment with it until he had discovered all of the different forms it could take—melody, counterline, background pad, bassline, rhythmic motif, and more—often using the same ideas in a wide variety of ways. Eberhard is utterly intentional, containing layer upon layer of depth, complexity, love, and care for the listener to discover.
While technically a posthumous release, Mays was engaged in the making of Eberhard from beginning to end—serving as composer, arranger, performer (piano, keyboards, and synthesizers), producer, and executive producer, and was actively involved in all of the recording and mixing sessions, which took place in Los Angeles during the latter half of 2019.
Fans will know that Lyle had been on hiatus from his enormously successful touring and recording career with the Pat Metheny Group and as a solo artist (Eberhard will be his seventh release as a leader) since 2011, choosing instead to pursue his myriad non-musical passions. Then, “Lyle’s health took a bad turn in 2019, and at about the same time, he decided to try to get Eberhard recorded.The relationship between those two events is complex. What’s clear is that he would continue writing and extending this music, as was always his process: to try to find every bit of what the material suggested, every note and harmony, and sound it evoked for him. He added parts, expanded orchestration, imagining it all on an even grander scale,” Steve Rodby explains. “The result is this recording, and what he was able to hear in his final days. This wasn’t meant to be Lyle’s last piece of music, and if he had lived longer, he had plans for more.”
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