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Mp3 download of the single "Dreams" will be delivered on Friday March 26th.
If purchases after that date, digital delivery is immediate.
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Aubrey Logan - Louboutins 2.0 Single Download in mp3 format
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Receive an immediate download of the track "Vacation" ft. Train when you pre-order.
Tracklisting:
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The Lyle Mays Estate is elated to announce the release of a thirteen-minute “mini symphony” entitled Eberhard—a composition completed by Mays in 2009 for the Zeltsman Marimba Festival, and recorded in the months before his passing on February 10, 2020, with a slate of notable names in jazz including Bill Frisell, Alex Acuña, and Bob Sheppard.
Due out on August 27, 2021, Eberhard is a long-form, multi-section work that is Lyle’s self-professed dedication to the great German bass player Eberhard Weber, a composer whose influence loomed large on Mays and his long-time collaborator Pat Metheny in the forming of the 11-time Grammy-Award winning Pat Metheny Group during the mid 70’s and throughout their careers. According to Steve Rodby (bass player of the Pat Metheny Group and Lyle’s best friend) who did double duty on this recording as co-associate producer and acoustic bassist, “…though he called it his ‘humble tribute’ to Eberhard, it is still 100 percent Lyle in every way.”
A steady, lilting marimba (Wade Culbreath) ostinato offers an ample bed for Eberhard’s ethereal opening piano melody, performed, of course, by Mays. Lyle’s unmistakeable orchestrational style is immediately on display as various shakers, rainsticks, and atmospheric synthesizer pads quietly make their way into the texture, rising and falling organically as an electric bass theme (played by longtime James Taylor cohort, Jimmy Johnson) emerges. Wordless vocals, a hallmark of the music of the Pat Metheny Group, supplied here by jazz singers Aubrey Johnson (Lyle’s niece and co-executive producer), Rosana Eckert, and Gary Eckert, are introduced—first as accompaniment to the bass melody and later as melodic “instruments.”
Vocal features give way to Bob Sheppard’s woodwind section, which gives way to cello section underscores (led by principal Timothy Loo), and soon the whole ensemble, including star drummer/percussionists Jimmy Branly and Alex Acuña, Steve Rodby (acoustic bass), Mitchel Forman (Hammond B3 Organ/Wurlitzer piano), and Bill Frisell (guitar) have made appearances. All sixteen instrumentalists/vocalists rarely play at the same time, instead playfully weaving in and out for various features (notably by Mays, Jimmy Johnson, Aubrey Johnson, and Culbreath) and accompanying textures. In a piece already abundant with aural decadence, Bob Sheppard’s extended tenor saxophone solo, which brings Eberhard to its climax, is perhaps the most thrilling. The piece ends as it began, with a sparse recapitulation of the introduction, rewarding the listener with the feeling of having experienced an incredible musical odyssey.
In typical Lyle fashion, this music reflects and honors his far-reaching influences, most obviously the bass playing and compositional style of Eberhard Weber (with whom Lyle recorded on two occasions), but continuing on through Philip Glass’ minimalism, Indonesian Gamelan ensemble, Brazilian music (notably the percussive and speech-like vocal techniques of Lyle’s friend and collaborator Naná Vasconcelos), to the blues, and to classical forms and structures. As in all of his compositions, Mays’ propensity for exploiting compositional material (or, its “DNA”) to the fullest extent is ever constant throughout Eberhard. Like a scientist, he would take a simple melodic, harmonic, rhythmic, or other kind of idea and experiment with it until he had discovered all of the different forms it could take—melody, counterline, background pad, bassline, rhythmic motif, and more—often using the same ideas in a wide variety of ways. Eberhard is utterly intentional, containing layer upon layer of depth, complexity, love, and care for the listener to discover.
While technically a posthumous release, Mays was engaged in the making of Eberhard from beginning to end—serving as composer, arranger, performer (piano, keyboards, and synthesizers), producer, and executive producer, and was actively involved in all of the recording and mixing sessions, which took place in Los Angeles during the latter half of 2019.
Fans will know that Lyle had been on hiatus from his enormously successful touring and recording career with the Pat Metheny Group and as a solo artist (Eberhard will be his seventh release as a leader) since 2011, choosing instead to pursue his myriad non-musical passions. Then, “Lyle’s health took a bad turn in 2019, and at about the same time, he decided to try to get Eberhard recorded.The relationship between those two events is complex. What’s clear is that he would continue writing and extending this music, as was always his process: to try to find every bit of what the material suggested, every note and harmony, and sound it evoked for him. He added parts, expanded orchestration, imagining it all on an even grander scale,” Steve Rodby explains. “The result is this recording, and what he was able to hear in his final days. This wasn’t meant to be Lyle’s last piece of music, and if he had lived longer, he had plans for more.”
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Ships with free 12x12" album art poster
Also includes an immediate download of the digital album at the time of purchase.
The Lyle Mays Estate is elated to announce the release of a thirteen-minute “mini symphony” entitled Eberhard—a composition completed by Mays in 2009 for the Zeltsman Marimba Festival, and recorded in the months before his passing on February 10, 2020, with a slate of notable names in jazz including Bill Frisell, Alex Acuña, and Bob Sheppard.
Due out on August 27, 2021, Eberhard is a long-form, multi-section work that is Lyle’s self-professed dedication to the great German bass player Eberhard Weber, a composer whose influence loomed large on Mays and his long-time collaborator Pat Metheny in the forming of the 11-time Grammy-Award winning Pat Metheny Group during the mid 70’s and throughout their careers. According to Steve Rodby (bass player of the Pat Metheny Group and Lyle’s best friend) who did double duty on this recording as co-associate producer and acoustic bassist, “…though he called it his ‘humble tribute’ to Eberhard, it is still 100 percent Lyle in every way.”
A steady, lilting marimba (Wade Culbreath) ostinato offers an ample bed for Eberhard’s ethereal opening piano melody, performed, of course, by Mays. Lyle’s unmistakeable orchestrational style is immediately on display as various shakers, rainsticks, and atmospheric synthesizer pads quietly make their way into the texture, rising and falling organically as an electric bass theme (played by longtime James Taylor cohort, Jimmy Johnson) emerges. Wordless vocals, a hallmark of the music of the Pat Metheny Group, supplied here by jazz singers Aubrey Johnson (Lyle’s niece and co-executive producer), Rosana Eckert, and Gary Eckert, are introduced—first as accompaniment to the bass melody and later as melodic “instruments.”
Vocal features give way to Bob Sheppard’s woodwind section, which gives way to cello section underscores (led by principal Timothy Loo), and soon the whole ensemble, including star drummer/percussionists Jimmy Branly and Alex Acuña, Steve Rodby (acoustic bass), Mitchel Forman (Hammond B3 Organ/Wurlitzer piano), and Bill Frisell (guitar) have made appearances. All sixteen instrumentalists/vocalists rarely play at the same time, instead playfully weaving in and out for various features (notably by Mays, Jimmy Johnson, Aubrey Johnson, and Culbreath) and accompanying textures. In a piece already abundant with aural decadence, Bob Sheppard’s extended tenor saxophone solo, which brings Eberhard to its climax, is perhaps the most thrilling. The piece ends as it began, with a sparse recapitulation of the introduction, rewarding the listener with the feeling of having experienced an incredible musical odyssey.
In typical Lyle fashion, this music reflects and honors his far-reaching influences, most obviously the bass playing and compositional style of Eberhard Weber (with whom Lyle recorded on two occasions), but continuing on through Philip Glass’ minimalism, Indonesian Gamelan ensemble, Brazilian music (notably the percussive and speech-like vocal techniques of Lyle’s friend and collaborator Naná Vasconcelos), to the blues, and to classical forms and structures. As in all of his compositions, Mays’ propensity for exploiting compositional material (or, its “DNA”) to the fullest extent is ever constant throughout Eberhard. Like a scientist, he would take a simple melodic, harmonic, rhythmic, or other kind of idea and experiment with it until he had discovered all of the different forms it could take—melody, counterline, background pad, bassline, rhythmic motif, and more—often using the same ideas in a wide variety of ways. Eberhard is utterly intentional, containing layer upon layer of depth, complexity, love, and care for the listener to discover.
While technically a posthumous release, Mays was engaged in the making of Eberhard from beginning to end—serving as composer, arranger, performer (piano, keyboards, and synthesizers), producer, and executive producer, and was actively involved in all of the recording and mixing sessions, which took place in Los Angeles during the latter half of 2019.
Fans will know that Lyle had been on hiatus from his enormously successful touring and recording career with the Pat Metheny Group and as a solo artist (Eberhard will be his seventh release as a leader) since 2011, choosing instead to pursue his myriad non-musical passions. Then, “Lyle’s health took a bad turn in 2019, and at about the same time, he decided to try to get Eberhard recorded.The relationship between those two events is complex. What’s clear is that he would continue writing and extending this music, as was always his process: to try to find every bit of what the material suggested, every note and harmony, and sound it evoked for him. He added parts, expanded orchestration, imagining it all on an even grander scale,” Steve Rodby explains. “The result is this recording, and what he was able to hear in his final days. This wasn’t meant to be Lyle’s last piece of music, and if he had lived longer, he had plans for more.”
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America is mostly a place where folks move around. “Ebony Revisited” tells a story about being a stranger in your “hometown.” I didn’t know my birthplace, Washington, DC as I wrote the song and I don’t know it now. Earlier versions had more verses and I first wrote it without a band in mind. Put away for years — unfinished — the pandemic inspired me to look at “Ebony Revisited” with fresh eyes, changing it to better tell today’s story. As a songwriter, I’m not immune to what goes on around me and so today’s “Ebony Revisited” is influenced by America’s ongoing conversations around race, identity and belonging. A studio version of the song, with full band, appears on upcoming album, “Janus,” releasing January 2022. “Ebony Revisited Unplugged” is stripped down and recorded to evoke being on a front porch unfussy — just two musician friends with a dobro and ukulele. On this recording I’m joined by band multi-instrumentalist Darren Loucas. Our hope is many listeners see themselves in “Ebony Revisited.”
—Paula Boggs, songwriter
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Modern English - After The Snow Live at Indigo WAV format Digital Download
$ 10.00 USD
Asking Alexandria - See What's On The Inside Digital Download
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Includes immediate download of the single Lifeline.
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You’ll receive an immediate 320 khz mp3 download at the time of purchase.
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You’ll receive an immediate 320 khz mp3 download at the time of purchase.
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You’ll receive an immediate 44.1 khz wav download at the time of purchase.
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WAV format digital download
THE RESET EP
Alternate Mixes
The Reset featuring Eric Marienthal, soprano sax
The Reset featuring Mike Rocha, trumpet
The Reset featuring Jeff Driskill, tenor sax
The Reset featuring Francisco Torres, trombone
The Rest featuring Gordon Goodwin, B3 organ
Six feet Away featuring Brian Scanlon, tenor sax
Six feet Away featuring Jay Mason, baritone sax
Six feet Away featuring Jeff Driskill, tenor sax
Six feet Away featuring Andy Martin, trombone
Six feet Away featuring Mike Rocha, trumpet
Six feet Away featuring Gordon Goodwin, keyboard
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WAV format digital download
THE RESET EP
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Low Roar - Ross WAV format Download
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Low Roar - maybe tomorrow WAV format download
$ 7.00 USD
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Track list:
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The String Revolution featuring Steve Stevens - Crazy Train - A Tribute to Randy Rhoads Digital Download
$ 35.00 USD
Sara Niemietz - Personalized Birthday Video
$ 10.00 USD
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WAV format download of King Brewster by Paula Boggs Band, featuring Dom Flemons.
$ 9.99 USD
Sammy Rae - Lets Throw A Party Transcription Download
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Sammy Rae - Follow Me Like The Moon Transcription Download
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Sammy Rae - Living Room Floor Transcription Download
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EVERYWHERE YOU GO – BRUCE MOLSKY
Format: Digital Download (WAV files)
Label: OLD TIME TIKI PARLOUR
Rel. Date: 02/25/2022
UPC: 804227771527
Known and respected internationally for decades as a master fiddler, preserver of American music traditions, and multi-style collaborator, Bruce Molsky’s first musical love was finger-style guitar. Here, on “Everywhere You Go,” Bruce finally dives into intimate and unique arrangements of a wide swath of tunes and songs through his own musical lens, from African, Scandinavian, Scottish, Irish, American; both old and new. Longtime colleagues Darol Anger and Scottish Gàidhealtachd singer Mary Ann Kennedy lift things up on a few pieces. But mostly this is Bruce’s introspective and very solo exploration of a lifetime of his most loved songs and tunes.
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Full album digital download delivered at the time of purchase.
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AWOLNATION’s upcoming album My Echo, My Shadow, My Covers and Me, set for a May 6, 2022, global release, is a fiercely collaborative and celebratory project. It’s an eclectic collection of masterfully crafted and carefully curated covers, with each track featuring at least one acclaimed musical artist. It includes epic re-imaginings of classics like “Wind of Change” by the Scorpions, “Take a Chance on Me” by Abba, and “Beds are Burning” by Midnight Oil; and features collaborations with artists like Portugal the Man, Brandon Boyd of Incubus, Jewel, Beck, Taylor Hanson & more. Available on one-of-a kind, recycled colored vinyl, mystery colored cassette and CD.
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Instant Grat Tracks:
2/25/22 – Beds are Burning (feat. Tim McIlrath of Rise Against)
2/25/22 – Wind of Change (feat. Brandon Boyd of Incubus & Portugal. The Man)
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Paula Boggs Band - Janus Digital Download
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Paula Boggs Band - Ponies Single Download
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Paula Boggs Band - Motel 6 Serenade Single Download
+ Quick Shop
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$ 12.00 USD
Coming on April 29, 2022, Candy Apple Red is Reina del Cid’s fifth full-length studio album.
WAV format download.
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Classless Act - Welcome To The Show Digital Download
$ 100.00 USD
High fidelity karaoke tracks from the new album. Sing your way through the new songs!
$ 15.00 USD
Earth Angel - Wings Vol 1 Digital Download
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Five Finger Death Punch - AfterLife Digital Download
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Single download in wav format
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