$ 10.00 USD
Download provided immediately upon purchase for both mp3 and wav audio formats.
Laser-tight trio with an ear for lovely, lilting traditional melodies, Molsky’s Mountain Drifters brings tradition steeped in possibility. The grace and wisdom of longtime fiddle player and multi-instrumentalist Bruce Molsky, Berklee College of Music’s Visiting Scholar in the American Roots Program, described as “an absolute master” (No Depression) melds with the electricity of guitarist Stash Wyslouch, “a brilliant and free-thinking mind” (Chris Eldridge, Punch Brothers) and banjo player Allison de Groot’s “exquisite tone, timing, and taste” (Tony Trishka) to bring new ideas to traditional music. The Mountain Drifters are delighted announce the release of their 2nd album, Closing the Gap (Allison's original composition for banjo & band).
Closing The Gap is the Mountain Drifters in their natural and instinctual state; raw, playful and free, the way the music is meant to be. The music is hopeful and optimistic and comes from the heart, and the recording starts with “There’s a bright side somewhere, ain’t gonna rest until I find it.”
The title track, Allison de Groot's “Closing the Gap” feels like a race. Each note tries to catch up with the next, narrowing the gap and steadily propelling the tune from one section to the next. . .
Track List:
released February 22, 2019
Recorded - Dan Cardinal Dimension Sounds
Mixed - Dave Sinko, Nashville, TN
Mastered - David Glasser Airshow Studios
Graphics - Randall Martin Designs
Photography - Susan Wilson Photography
Produced - Bruce Molsky
Bruce Molsky - fiddle, vocals, banjo (on Old Kimball)
Allison de Groot - banjo, vocals
Stash Wyslouch - guitar, vocals
all rights reserved
$ 10.00 USD
EVERYWHERE YOU GO – BRUCE MOLSKY
Format: Digital Download (WAV files)
Label: OLD TIME TIKI PARLOUR
Rel. Date: 02/25/2022
UPC: 804227771527
Known and respected internationally for decades as a master fiddler, preserver of American music traditions, and multi-style collaborator, Bruce Molsky’s first musical love was finger-style guitar. Here, on “Everywhere You Go,” Bruce finally dives into intimate and unique arrangements of a wide swath of tunes and songs through his own musical lens, from African, Scandinavian, Scottish, Irish, American; both old and new. Longtime colleagues Darol Anger and Scottish Gàidhealtachd singer Mary Ann Kennedy lift things up on a few pieces. But mostly this is Bruce’s introspective and very solo exploration of a lifetime of his most loved songs and tunes.
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