$ 10.00 USD
Kaki King - ... Until We Felt Red Digital Download
$ 10.00 USD
When Kaki King went into the studio in upstate New York to record the tracks for her fourth album, Dreaming Of Revenge, her producer, Malcolm Burn, had one condition: "He said, 'If someone can't be sawing a log in half and whistling along to the song, I don't want it on the record,'" King recalls with a laugh. And so the bar was set. Burn's mandate was just the push King needed to make her most accessible CD yet. "Even though half the tracks are instrumentals, I feel like I'm writing Pop songs," she says. "We really concentrated on the melodies. Everything I write tends to be dense and chordal, but this time the idea was to layer the challenging guitar work under very simple, beautiful melodies. I really wanted them to be memorable."
$ 10.00 USD
This album features live performances, B-sides and rare tracks that have never been heard, including covers of songs by The Cure, Justin Timberlake and The Bad Plus.
$ 10.00 USD
Kaki King’s debut album, Everybody Loves You.
$ 10.00 USD
Glow, the sixth full-length album by American guitarist Kaki King, was released October 9, 2012. On Glow King returns to her instrumental roots and is accompanied by the string quartet ETHEL.
$ 10.00 USD
Junior, the fifth full length album by Kaki King, was released April 13, 2010.
$ 10.00 USD
Modern Yesterdays is Kaki’s 10th album, and her first new studio album in 5 years. The album was co-produced by Kaki, Chloe Alexandra Thompson, and Arjan Miranda with sound design by Chloe Alexandra Thompson.
Track list:
1) Default Shell
2) Can't Touch This or That or You or My Face
3) Teek
4) Goodchild
5) Rhythmic Tiny Sand Ball Patterns
6) Puzzle Me - You
7) Final State
8) Lorlir
9) Sanitized, Alone
10) Sei Sei
11) Forms of Light and Death
$ 10.00 USD
The Neck Is a Bridge to the Body, is the Eighth full-length album by Kaki King, released March 3, 2015. The album is the soundtrack to Kaki's projection mapping show of the same name.
$ 9.00 USD
Receive a download of the first single immediately, then the full album on release day.
LIFERS is the highly anticipated ninth studio album from iconic alt-rock duo, Local H. It’s their first full-length record in five years, and coincides with the band’s 30th anniversary.
Produced by the legendary Steve Albini (Nirvana, Cheap Trick) and the band’s longtime accomplice Andy Gerber, the record features mixing by J. Robbins, and contributions by an array of respected friends and guests, including Juliana Hatfield, John McCauley (Deer Tick), and John Haggerty (Naked Raygun, Pegboy).
On the genesis of the album, frontman Scott Lucas explains:
“When the re-release of the White Album came out a few years ago, I became re-obsessed all over again. One aspect that really hit me about it (this time) was how it’s not really a concept record — but it feels like a concept record. I wanted to do that with LIFERS. This might be a concept record about the end of the world. Or it might just be a party record with loud guitars and cowbells.”
LIFERS will be released on April 10th, 2020 via AntiFragile Music.
TRACKLISTING:
1 Patrick Bateman
2 Hold That Thought
3 High Wide And Stupid
4 Turn The Bow
5 Beyond The Valley Of Snakes
6 Sunday Best
7 Winter Western
8 Demon Dreams
9 Farrah
10 Defy And Surrender
11 Innocents
$ 10.00 USD
The first new album in over a decade from acclaimed NYC indie rockers, Longwave. Delivered digitally immediately upon purchase.
1. Before You Disappear
2. If We Ever Live Forever
3. 1 X 1 (Disorder)
4. Dreamers Float Away
5. Stay With Me
6. Echo Bravo
7. I'll Be The First
8. The Trick
9. Great Northwest
10. It's Not Impossible
$ 9.99 USD
High-quality download of the second album by Low Roar, 0.
320 mp3 format
$ 9.99 USD
Low Roar - maybe tomorrow WAV format download
$ 9.99 USD
High-quality album download of the new Low Roar album, Once In A Long, Long While…
320 mp3 format
$ 9.99 USD
Low Roar - Ross WAV format Download
$ 9.99 USD
High-quality download of the Self-Titled debut album by Low Roar.
Files delivered in WAV format
$ 5.00 USD
The Lyle Mays Estate is elated to announce the release of a thirteen-minute “mini symphony” entitled Eberhard—a composition completed by Mays in 2009 for the Zeltsman Marimba Festival, and recorded in the months before his passing on February 10, 2020, with a slate of notable names in jazz including Bill Frisell, Alex Acuña, and Bob Sheppard.
Due out on August 27, 2021, Eberhard is a long-form, multi-section work that is Lyle’s self-professed dedication to the great German bass player Eberhard Weber, a composer whose influence loomed large on Mays and his long-time collaborator Pat Metheny in the forming of the 11-time Grammy-Award winning Pat Metheny Group during the mid 70’s and throughout their careers. According to Steve Rodby (bass player of the Pat Metheny Group and Lyle’s best friend) who did double duty on this recording as co-associate producer and acoustic bassist, “…though he called it his ‘humble tribute’ to Eberhard, it is still 100 percent Lyle in every way.”
A steady, lilting marimba (Wade Culbreath) ostinato offers an ample bed for Eberhard’s ethereal opening piano melody, performed, of course, by Mays. Lyle’s unmistakeable orchestrational style is immediately on display as various shakers, rainsticks, and atmospheric synthesizer pads quietly make their way into the texture, rising and falling organically as an electric bass theme (played by longtime James Taylor cohort, Jimmy Johnson) emerges. Wordless vocals, a hallmark of the music of the Pat Metheny Group, supplied here by jazz singers Aubrey Johnson (Lyle’s niece and co-executive producer), Rosana Eckert, and Gary Eckert, are introduced—first as accompaniment to the bass melody and later as melodic “instruments.”
Vocal features give way to Bob Sheppard’s woodwind section, which gives way to cello section underscores (led by principal Timothy Loo), and soon the whole ensemble, including star drummer/percussionists Jimmy Branly and Alex Acuña, Steve Rodby (acoustic bass), Mitchel Forman (Hammond B3 Organ/Wurlitzer piano), and Bill Frisell (guitar) have made appearances. All sixteen instrumentalists/vocalists rarely play at the same time, instead playfully weaving in and out for various features (notably by Mays, Jimmy Johnson, Aubrey Johnson, and Culbreath) and accompanying textures. In a piece already abundant with aural decadence, Bob Sheppard’s extended tenor saxophone solo, which brings Eberhard to its climax, is perhaps the most thrilling. The piece ends as it began, with a sparse recapitulation of the introduction, rewarding the listener with the feeling of having experienced an incredible musical odyssey.
In typical Lyle fashion, this music reflects and honors his far-reaching influences, most obviously the bass playing and compositional style of Eberhard Weber (with whom Lyle recorded on two occasions), but continuing on through Philip Glass’ minimalism, Indonesian Gamelan ensemble, Brazilian music (notably the percussive and speech-like vocal techniques of Lyle’s friend and collaborator Naná Vasconcelos), to the blues, and to classical forms and structures. As in all of his compositions, Mays’ propensity for exploiting compositional material (or, its “DNA”) to the fullest extent is ever constant throughout Eberhard. Like a scientist, he would take a simple melodic, harmonic, rhythmic, or other kind of idea and experiment with it until he had discovered all of the different forms it could take—melody, counterline, background pad, bassline, rhythmic motif, and more—often using the same ideas in a wide variety of ways. Eberhard is utterly intentional, containing layer upon layer of depth, complexity, love, and care for the listener to discover.
While technically a posthumous release, Mays was engaged in the making of Eberhard from beginning to end—serving as composer, arranger, performer (piano, keyboards, and synthesizers), producer, and executive producer, and was actively involved in all of the recording and mixing sessions, which took place in Los Angeles during the latter half of 2019.
Fans will know that Lyle had been on hiatus from his enormously successful touring and recording career with the Pat Metheny Group and as a solo artist (Eberhard will be his seventh release as a leader) since 2011, choosing instead to pursue his myriad non-musical passions. Then, “Lyle’s health took a bad turn in 2019, and at about the same time, he decided to try to get Eberhard recorded.The relationship between those two events is complex. What’s clear is that he would continue writing and extending this music, as was always his process: to try to find every bit of what the material suggested, every note and harmony, and sound it evoked for him. He added parts, expanded orchestration, imagining it all on an even grander scale,” Steve Rodby explains. “The result is this recording, and what he was able to hear in his final days. This wasn’t meant to be Lyle’s last piece of music, and if he had lived longer, he had plans for more.”
$ 0.99 USD
Single download in wav format
$ 4.95 USD
MACKandgold - Take Solace Digital Download
$ 30.00 USD
These are the demos I recorded as I was writing all the songs on the album. Hear what all the songs started as and compare to what they became!
$ 10.00 USD
My new In Your Dreams album as a digital download (WAV format).
Track Listing:
1. She Knows
2. Gimme Gimme
3. My Brain Is A Computer
4. Roses
5. Name That Tune
6. Getaway
7. More
8. I’m OK
9. Stop. Be Happy.
$ 9.99 USD
1. LAST CHRISTMAS featuring Philippe Saisse
2. THIS CHRISTMAS featuring Vince Gill
3. OH HOLY NIGHT featuring Russ Freeman
4. SILVER BELLS featuring Chris Standring
5. WINTER WONDERLAND / LET IT SNOW (Medley) featuring Dave Koz
6. A CHILD IS BORN IN BETHLEHEM featuring Adam Hawley
7. HAVE YOURSELF A MERRY LITTLE CHRISTMAS featuring Sheléa
8. SILENT NIGHT featuring Rick Braun
9. MARY DID YOU KNOW
------
PRODUCED BY MICHAEL LINGTON
MIXED BY PAUL BROWN
MASTERED BY BERNIE GRUNDMAN
Personnel:
Michael Lington: Alto and Tenor Sax,
Additional Keys and Percussion (all tracks)
Vince Gill: Vocals and Guitar (2)
Sheléa: Vocals (7)
Dave Koz: Soprano Sax (5)
Philippe Saisse: Vibraphone (1)
Rick Braun: Flugel Horn (8)
Russ Freeman: Classical Guitar (3)
Chris Standring: Guitar (4)
Adam Hawley: Guitar (6)
Greg Phillinganes: Keyboards (2,3,4,5,7,8,9)
Eric Valentine: Drums (2,3,4,5,6,7,8)
Alex Al: Bass (2,3,4,5,7,8)
Roberto Vally: Bass (6)
Marc Antoine: Guitar (1,5,8)
Jay Gore: Acoustic Guitar (1)
David Garfield: Keyboards (6)
Luis Conte: Percussion (1,3,5,6,7,8,9)
Paul Jackson Jr: Guitar (2,7)
Nick Daley: Trombone (2,4)
Michael Stever: Trumpet (2,4)
$ 10.00 USD
Modern English - After The Snow Live at Indigo WAV format Digital Download
$ 10.00 USD
Download provided immediately upon purchase for both mp3 and wav audio formats.
Laser-tight trio with an ear for lovely, lilting traditional melodies, Molsky’s Mountain Drifters brings tradition steeped in possibility. The grace and wisdom of longtime fiddle player and multi-instrumentalist Bruce Molsky, Berklee College of Music’s Visiting Scholar in the American Roots Program, described as “an absolute master” (No Depression) melds with the electricity of guitarist Stash Wyslouch, “a brilliant and free-thinking mind” (Chris Eldridge, Punch Brothers) and banjo player Allison de Groot’s “exquisite tone, timing, and taste” (Tony Trishka) to bring new ideas to traditional music. The Mountain Drifters are delighted announce the release of their 2nd album, Closing the Gap (Allison's original composition for banjo & band).
Closing The Gap is the Mountain Drifters in their natural and instinctual state; raw, playful and free, the way the music is meant to be. The music is hopeful and optimistic and comes from the heart, and the recording starts with “There’s a bright side somewhere, ain’t gonna rest until I find it.”
The title track, Allison de Groot's “Closing the Gap” feels like a race. Each note tries to catch up with the next, narrowing the gap and steadily propelling the tune from one section to the next. . .
Track List:
released February 22, 2019
Recorded - Dan Cardinal Dimension Sounds
Mixed - Dave Sinko, Nashville, TN
Mastered - David Glasser Airshow Studios
Graphics - Randall Martin Designs
Photography - Susan Wilson Photography
Produced - Bruce Molsky
Bruce Molsky - fiddle, vocals, banjo (on Old Kimball)
Allison de Groot - banjo, vocals
Stash Wyslouch - guitar, vocals
all rights reserved
$ 9.99 USD
mp3 format download
TRACK LISTING
$ 0.49 USD $ 0.99 USD
mp3 format download of the 2023 single: "This"
$ 4.49 USD $ 8.99 USD
Ok Go - 180/365 Digital Download
$ 2.49 USD $ 4.99 USD
Aif format download.
1. Bye By Baby [original version]
2. We Dug A Hole
3. It's Tough To Have A Crush When The Boy Doesn't Feel The Same Way You Do
$ 4.49 USD $ 8.99 USD
OK Go - Hungry Ghosts Digital Download
$ 4.49 USD $ 8.99 USD
Ok Go - Of The Blue Color Of The Sky Digital Download
$ 5.99 USD $ 11.99 USD
Ok Go - Of The Blue Color Of The Sky Extra Nice Edition Digital Download
$ 2.49 USD $ 4.99 USD
aif format download.
1. Hello, My Treacherous Friends [original version]
2. What To Do [original version]
3. Antmusic [Adam & The Ants cover]
$ 0.49 USD $ 0.99 USD
$ 0.49 USD $ 0.99 USD
1. This Will Be Our Year (lo-fi)
2. This Will Be Our Year (hi-fi)
$ 4.49 USD $ 8.99 USD
Ok Go - Twelve Remixes of Four Songs Digital Download
$ 10.00 USD
mp3 download of 2021 release, celebrating 10 years with Better Noise Music.
Purchase includes immediate digital download of one track + full album on release day.
Greatest Hits Vol.2- The Better Noise Years features 21 tracks and comprises 12 of the top 10 hits from 2010-2019. The Album consists of various songs from the five albums that were created with Better Noise Music including: Time for Annihilation..On The Record & On The Road, The Connection, F.E.A.R, Crooked Teeth, and finally Who Do You Trust? It features the smash song “Help” from their 2017 release and has been certified Gold by the RIAA, selling over 500,000 copies in the United States Alone.
The album features seven songs that are either remixed, acoustic and one that has a feature. Celebrate Papa Roach’s success!
$ 1.29 USD
wav + mp3 download of Paula's latest single: America 2020.
“Covid-19, racial unrest, record unemployment and climate disruption bring America to a boil as division and rancor ascend. Is this what America’s ancestors fought and died for? This is the central question ‘America 2020’ poses. Sure they and our founding documents were flawed but America was born with hope and aspirations for better. To reach ‘better’ requires more than ‘thoughts and prayers.’ It demands work, empathy, attitude and keeping it real. ‘America 2020’ stands on the shoulders of great American ‘protest songs’— the ones that make you think, feel and act while tapping your feet.“
-Paula Boggs
$ 1.29 USD
America is mostly a place where folks move around. “Ebony Revisited” tells a story about being a stranger in your “hometown.” I didn’t know my birthplace, Washington, DC as I wrote the song and I don’t know it now. Earlier versions had more verses and I first wrote it without a band in mind. Put away for years — unfinished — the pandemic inspired me to look at “Ebony Revisited” with fresh eyes, changing it to better tell today’s story. As a songwriter, I’m not immune to what goes on around me and so today’s “Ebony Revisited” is influenced by America’s ongoing conversations around race, identity and belonging. A studio version of the song, with full band, appears on upcoming album, “Janus,” releasing January 2022. “Ebony Revisited Unplugged” is stripped down and recorded to evoke being on a front porch unfussy — just two musician friends with a dobro and ukulele. On this recording I’m joined by band multi-instrumentalist Darren Loucas. Our hope is many listeners see themselves in “Ebony Revisited.”
—Paula Boggs, songwriter
$ 3.96 USD
*Receive an immediate download of the first single, followed by the full album on release day.
On their new EP Electrokitty Sessions, Seattle, WA “soulgrass” combo Paula Boggs Band refines their signature blend of jazz, world, rock and Americana. The record is imbued with a sense of yearning, and Boggs and her team of deft musicians unfurl their tales of love and its various guises with a relaxed, in-the-pocket groove that only comes from a group of players moving as a whole. These songs will anchor the band’s next full-length album and serves as an intriguing snapshot of what’s to come.
The songs on Electrokitty Sessions have evolved over time, with time signatures shifting, and lyrics and melodies evolving until Boggs deemed them ready for tape. The band decamped to Seattle’s Electrokitty Studios and brought in producer Matt Brown for the sessions. “It was back to the future in that Matt produced and we recorded at Electrokitty,” says Boggs. “Matt produced our first record, and it was mixed at Electrokitty”.
A record very much of the moment, Electrokitty Sessions might just be the balm we need right now. “Love is not always top of mind amidst profound sickness, fear, division and economic crisis” tells Boggs. “Music at its best though helps people think a little differently, feel, heal, connect. I hope that for this record”.
$ 9.99 USD
Paula Boggs Band - Janus Digital Download
$ 1.29 USD
WAV format download of King Brewster by Paula Boggs Band, featuring Dom Flemons.
$ 9.99 USD
Paula Boggs Band - Live At Sweetwater Music Hall Digital Download
$ 1.29 USD
Paula Boggs Band - Motel 6 Serenade Single Download
$ 1.29 USD
Paula Boggs Band - Ponies Single Download
$ 12.00 USD
Coming on April 29, 2022, Candy Apple Red is Reina del Cid’s fifth full-length studio album.
WAV format download.
$ 12.00 USD
Reina del Cid is a singer-songwriter and leader of the eponymous folk rock band based in Minnesota. Her song-a-week video series, Sunday Mornings with Reina del Cid, has racked up over 66 million views on YouTube and amassed a diverse following made up of everyone from jamheads to college students to white-haired intelligentsia. Morse Code is her fourth studio album.
https://reinadelcid.com/#about-2
Digital copy of Reina del Cid's 2019 release.
$ 10.00 USD
Reina del Cid - Rerun City Digital Download
$ 9.99 USD
$ 9.99 USD
Sammy Rae - Coming Home Song Transcription Download
All parts includes: Rhythm section, 1 horn transcription in C & Bb, Alto Sax in Eb & C, Tenor Sax in Bb & C
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